Call me a dummy, but I don't know where to find this? Incidentally, does your colorist really want footage with supers and graphics already burned in? I just wanted to make sure I was not missing something that might make my audio even better. We've sent him a short clip in ProRes HQ, so he should let us know if it works or not. Re-render everything, then export. Quote Jeff Incidentally, does your colorist really want footage with supers and graphics already burned in? That just ensures your audio is fully rendered.
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Or will the Avid Codecs PE work for free? Everything is working fine. Terry There are two codec packages 1080l60 from Avid: That's where you can provide me with a sanity check Thu, Apr 21 2: Wed, Apr 20 6: Newer Topic Older Topic. Here are a couple of choices I've been considering: If these are the standard Avid codecs, aren't they already on my system when I installed Avid?
I'm not sure exactly what formats a 2K or a Resolve will take, but Codc quite sure that ProRes isn't among them.
September 12, I've searched the Avid site, but can't seem to find a link to download this codec. Simply transcoding the sequence into ProRes HQ won't add more quality to what's already there, I believe. This is for broadcast.
The Avid codec interface is pretty clunky and you have to go into options to select everything. Call me a dummy, but I don't know where to find this? I just want to make sure its not being over compressed, would it be better for me to rent a sonyHD deck and output myself? Just to be clear: If you dont mind I'd like to ask you another question. Hi Shane, Thanks for responding. Like color correcting with one button.
However, when I imported into Avid, I get the dreaded white screen, which I assume to mean I need a codec.
DVCPRO HD: MainConcept
So the only thing I can figure is that your colorist wants a ProRes HQ Quicktime because it's relatively small and easy to move around, and that he's planning to have it converted to an uncompressed Quicktime or to a DPX sequence or what have you before grading it. I wonder if any one method produces better quality and is faster, as well. Is this workflow going to cause me quality loss? Yeah, the whole "render codec" thing in Final Cut 6 is a source of much confusion.
Exporting DVCPro HD 1080i60 Sequence for Colorist...
Is there anything I'm missing as coddec as making this file better. And what audio setting do you recommend in the compressor settings. You might try this: Visit my latest blog, "Concept to Creation" on the Avid Community site. You'll get better results than the other methods, I think. Recycle computers and electronics.
Jeff, Thanks for the additional info. Make sure you get all the settings right. It only applies to intermediate renders. If you want to view ProRes on Windows, sure, okay. Wed, Apr 20 9:
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