The urban centre where this work was conceived and thought up is Addis Ababa with its many buildings growing up among scaffolding and poured concrete, like wooden cages with glass and concrete heart beating within. Her Somali roots remained an important focus. There, as well, the disease of the city shows up, and form there its discomforts, its contradictions, its sufferings are taking form, catalysing big historic and social changes. The music dispels the threat of modernity washing over and undermining everything. While often not matching with its centre, it contains the visceral aspect of its existence, such as in its ghettoes, its suburbs, its most vulnerable groups. English, Kiswahili and Somali languages are telling in 11 previously unreleased tracks on this trip geographical, human and artistic intended as the first two universal languages, Somali instead as the main theme of the relationship of birth of Sheba with that part of the world, East Africa. Musically the record digs into traditional structure of pentatonic scales on an acoustic basis, with double bass, drums, accordion and sometimes viola.
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In the artist is on stage with her monologue "Mogadishow", in the official playbill of the Teatro Stabile di Torino.
The music and changnyisha expression, therefore, become immediate bridges of communication and thus fertilize newly rich territories where we are told, without need to defend their cultural identity fertile experience a change. Saba receives in the same year the Italian Soul Award for music.
While often not matching with its centre, it contains the visceral aspect of its existence, such as in its ghettoes, its suburbs, its most vulnerable groups.
The belly of the city is the place where all transformations occur most authentically. There, as well, the disease of the city shows up, and form there its discomforts, its contradictions, its sufferings are taking form, catalysing big historic and social changes.
Music to find and reveal the human element, the sentiment that lifts, defends his diversity, his right to tell and resist. The material emerged, including many authentic field recordings that are interwoven tracks on the disc, is conceived in the common territory of the meeting of languages and scripts, exchange of experiences, drawing vivid and lively music that just so you becomes, without hassles nennun for tradition.
Saba Anglana
Due to the family's mixed-marriage status Saba's father was Italian, and her mother Ethiopian, both persecuted by the regimethe Anglanas were forced to flee to the father's homeland when Saba was five years old. In the following years Saba releases three other albums. The artist meets those protagonists, from the bush on the outskirts of Nairobi city, you tell their stories, penetrates and share their humanity, their experiences, their dreams, their food, their struggle for survival.
In fact, when you're singing with a boy of sixteen years of great talent, made of glue, in the middle of a slum in Nairobi, for example, do anglzna expect to know a primitive musical instrument tradition, already widely massacred cent 'years ago by English colonists. Africa is growing as African big cities are, too.
Y e Katama hod speaks of the nostalgia of places and traditions constantly erased by the progress Tizitatells the problem of non-membership Abebech and the difficulty to recognize herself Ma Celin Karo ; the resulting individual somatization Gabrielloss and reacquisition of innocence Makaan Yara.
However, a warm wind blows in East Africa in the album, although by no means is housed in the crystallization of a hard return "roots", a tour guide, popular traditions.
In Biyo-Water is Lovethe artist tells the water and the global issues related to its exploitation: Saba was thereafter raised in Italy, eventually rising to national prominence as a television and theatre actress. From Addis Ababa to Rome, from Mogadishu to New York, and across the length of the whole planet, cities form as living organisms.
In the artist brings Mogadishow to the changanyksha as the protagonist's monologue, in which she also wrote, on the bill for the Teatro Stabile di Torino. Special project for AMREF, tells of the journey anglanw the artist italoafricana conducted in Kenya following the route to the villages and remote places that the largest organization of healthcare in Africa is committed to helping thousands of people.
In accordance with this stirring lyrics and songs take shape, because they abandon the trip, knowing means also happily accept the idea that, once lived in this way, "life has been brewing," Life changanyisha, precisely, hence the Title of the Album.
Saba Anglana — Wikipédia
The hand to exorcise the terror, the impetus of hope, the main instrument of orality. Saba also works as an author and radio presenter for programs of Rai Radio 2, Radio 3 and Radio Switzerland. Infollowing a long journey as ambassador for the humanitarian organization, she realized Changanyisha Life has been brewing.
From field recordings in the open savannah of the Masai choirs on the border with Tanzania, to anlgana musical work with the children of the slums of Nairobi, between whiffs of synthetic glue eyes and unforgettable time in their work stolen from the collection recycled material in the landfill of the city, the song of the villages, mothers, children, farmers and young warriors like the outskirts of the metropolis, are the soul of a people in music that enhances the living experience of this story and passed.
The music dispels the threat of modernity washing over and swba everything. His references are rather rappers and African Americans that raged in that continent. In "Biyo- Water is Love" the artist focuses her attention on her Ethiopian roots and on water, with the world issues related to its exploitation: The urban centre where this work was conceived and thought up is Addis Ababa with its many buildings growing up among scaffolding and poured concrete, like wooden cages with glass and concrete heart beating within.
Saba Anglana - Ye Katama Hod / a RootsWorld review
AMREF chose her as spokesperson and testimonial for media campaigns about health and human rights. Historically, the Ethiopian capital is a place of great musical production and tenacious ethiopization of foreign influences by constant reference to the traditional structure of pentatonic scales: And Saba, well accepted, also participates in offering his hand, as an immediate exchange of gifts.
Musically the record digs into traditional structure of pentatonic scales on an acoustic basis, with double bass, drums, accordion and sometimes viola. Ye Katama Hod speaks of the nostalgia of places and traditions constantly erased by the progress Tizitatells the problem of non-membership Abebech and the difficulty to recognize herself Ma Celin Karo ; the resulting individual somatization Gabrielloss and reacquisition of innocence Makaan Yara.
She worked as an actress, voice actress and singer in theater productions channganyisha television, developing ilfe international projects. She studied the native language with her mother, particularly the regional dialect of Xamar Weyne, and connected to her native country through music.
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